First look at film dubbed ‘next Oppenheimer’ but made for just $10,000,000

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Fans are buzzing after getting their first look at a film dubbed the ‘next Oppenheimer’ and tipped for Oscars success in 2025 – which was made for just $10,000,000.

The Brutalist premiered at Venice Film Festival in early September, wowing critics across the board and emerging as the surprise runaway favourite for its staggering scope and performances.

And now its first trailer has been released, giving people a taste of filmmaker Brady Corbet’s bold style and the grand ‘American Dream’ scale of the movie.

With a cast led by Adrien Brody and Felicity Jones, Guy Pearce, Joe Alwyn and Alessandro Nivola also feature in this major awards-season contender that was made for a fraction of the cost of some of this year’s other hyped releases, such as Joker: Folie à Deux’s $200million budget and Megalopolis’s $120m price tag.

In my , I called the nearly four-hour epic ‘compelling’, ‘enthralling’ and ‘the film to beat at the Oscars’ – as well as describing it as ‘a cinematic version of an Arthur Miller stage play’.

For many others, movie comparisons have included The Godfather and There Will Be Blood were top of the mind – as well as Christopher Nolan’s intellectual blockbuster Oppenheimer, which won best picture at the 2024 Academy Awards.

Alessandro Nivola, left, as Attila, and Adrien Brody as Lazlo embrace in front of a bus in a scene from The Brutalist
The Brutalist, starring Adrien Brody, has already wowed critics after its premiere at Venice Film Festival (Picture: A24)

Co-incidentally, its budget was reported to have been $100m, so ten times that of The Brutalist.

‘Sometimes you begin to lose faith that we’ll ever get a certain kind of film again, and then something like Oppenheimer or The Brutalist comes along, and it fills you with enough relief to still hope for the next,’ tweeted associate editor for Roger Ebert, Robert Daniels, in reaction to The Brutalist’s trailer.

‘Baby, this is Oppenheimer level stuff. This is Orson Welles. This is the closest a filmmaker comes to kissing heaven,’ commented an enthusiastic Kyle Pinion at ScreenRex.

Cillian Murphy as J. Robert Oppenheimer walks through the mini town built in Los Alamos in a scene from Oppenheimer
Reviews and fans have compared the film to 2024’s best picture Oscar winner Oppenheimer, although it was made for a fraction of the budget (Picture: Universal/Everett/Rex/Shutterstock)

Others were also swooning over the trailer, which shares a taste of the film’s sweeping score and brief glimpses of Brody’s Hungarian-Jewish immigrant László Tóth, as he leaves behind the horrors of his past in post-World War Two Europe for a new life in America.

‘The way I teared up just experiencing the trailer again!’ wrote film programmer Jenny Nulf on X, while OB quipped: ‘A movie that ends with “ist” where Adrien Brody stars in [sic]? Yeah this about to be an Oscar.’

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This is of course in reference to the 51-year-old star’s best actor win for The Pianist in 2003, when he became the youngest actor ever to win the award at the age of 29.

‘The Brutalist is my most anticipated movie of the year.  Can’t wait to check it out,’ shared @jasperjay40, while @TazeWilson posted that he was ‘uncontrollably excited about this’ and film writer Will Bjarnar advised: ‘Film event of the year incoming.’

‘An American epic the likes of which we feared we’d never see again, let alone done at this magnitude,’ he added.

Adrien Brody, left, as Laszlo leans tenderly over Felicity Jones as Erzsébet, seated in front of architectural drawings, in a scene from The Brutalist
Brody and Felicity Jones star as Hungarian-Jewish immigrants in the US in the 1940s, pursuing the American Dream (Picture: A24)

Immigrants waiting in a queue to be processed in 1940s New York in a scene from The Brutalist
The first trailer for the bold film has audiences hyped (Picture: A24)

Other takes on The Brutalist – which currently has a stunning 97% score from critics on review aggregator sit Rotten Tomatoes – have seen it described as a ‘major moment in cinema’ and a ‘modern-day masterpiece’.

‘The Brutalist is an out-and-out masterpiece; a magnificent beast of a film with glorious set pieces and a gut punch ending, the most invigorating four hours I’ve spent in a cinema for years,’ tweeted Jonathan Dean of The Times as the trailer came out, echoing his colleague Kevin Maher’s review, which described the movie’s performances as ‘savagely good, with Pearce and Brody both on awards season form.’

Screen Rant’s Alexander Harrison also promised that ‘every second is well spent’ of the film’s 215-minute runtime.

(L-R) Felicity Jones in a black halterneck dress, Brady Corbet in a black shirt and hat and Adrien Brody in a white shirt and black smart trousers, attend the red carpet for The Brutalist during 62nd New York Film Festival
Director and co-writer Brady Corbet (C, with Felicity Jones and Adrien Brody) has worked with a fraction of the usual Hollywood budget (Picture: Dominik Bindl/Getty Images for FLC)

In The Brutalist, visionary architect László (Brody) and his wife Erzsébet (Felicity Jones) flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern America.

After a tough start in their new home country, their lives are changed forever by a mysterious and wealthy client, Harrison Lee Van Buren (Guy Pearce), as we follow them over a 30-year period.

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